川军老兵彭国臣

纪录片《川军老兵彭国臣》内容简介 (500字版)

Brief Introduction of documentary The Sichuan Army Veteran PENG Guochen

本片是蒋能杰导演发起的抗战老兵系列纪录片中的一部。记录曾参加抗战和内战的川军百岁老兵彭国臣晚年（2012-2017年）的生活状况。以彭老和侄孙彭松柏日常生活为主线，探讨日益严峻的中国养老问题。

彭老参军九年，曾抵御日寇，却因国军身份，解甲归田后，反成“四类分子”，常遭受异样的眼光。终身未婚的彭老跟侄孙彭松柏一起过活，晚年的彭国臣身体越来越差，渐渐没了赚钱的能力。政府发放的每月55元的微薄养老金难以支撑日益增长的生活开支，而彭老的高龄补贴也迟迟没有领到。

2013年国家民政部将原国民党抗战老兵列入抚恤对象，但彭老一直没有尝到政策的甜头。直到2015年抗战胜利70周年，政府关怀突然到来，一波一波来了又走了，彭老生活始终没有实质性的改善。

2016年彭老开始卧床不起，生活起居全靠侄孙彭松柏照料，对侄孙的依赖也越来越强。彭松柏同样面临上有老下有下的经济压力，在希望与放弃之间徘徊，在离开与陪伴之间纠结。

村里常广播精准扶贫工作，由于上级领导检查，彭松柏家突然收到一本册子，才明白彭老早已属扶贫对象，门上也悄悄挂了牌子。只是上面写的不小数目扶贫款却从未收到。彭松柏多次向相关部门反映，几经折腾扶贫款依然没有领到。

2017年彭老离开人世，彭老的高龄补贴和扶贫款也不了了之。侄孙彭松柏继续承担养老送终之责任，负债举行了体面的葬礼。

Peng Guochen joined the army for nine years and fought against the Japanese before, but because he belonged to the National Revolutionary Army, after his coming back to hometown, he was treated unfairly as four kinds of elements. He wasn’t married in the whole life and lived with grandnephew family. His health condition is worse and worse in later life, also lost ability of earning money gradually. Old aged pension RMB55 per month paid by government is too little to pay for ever-increasing living expenses. He never received the old age allowance even if he should.

In 2013 Ministry of Civil Affairs treated KMT Anti-Japanese War veterans as entitled groups, but Peng Guochen didn’t taste the sweetness of this policy. Until 2015 that is 70th anniversary of Chinese people Anti-Japanese War, government cared for them suddenly, they paid visits many times, however his life didn’t get real better.

In 2016 Peng Guochen was bedridden, grandnephew took care of his everything, he relied on his grandnephew more and more. Peng Songbai faced economic pressures because he is sandwich generation, he was hesitated between hope and disappointment, also between leaving or staying.

Village broadcast usually reports the news of taking targeted measures to help people lift themselves out of poverty. This family suddenly received a notebook because of high-level leader inspection, from that notebook they knew their family belonged to those living below the poverty line, even there was also a sign on the door and showing much poverty relief funds, they never received money. Peng Songbai checked with the related government departments many times, but finally got nothing.

This is one of Anti-Japanese War veteran documentary series directed by Jiang Nengjie. It shows the later life (2012-2017) of centenarian Sichuan veteran Peng Guochen. The main line is daily life of Peng Guochen and his grandnephew Peng Songbai, in order to discuss about the increasingly serious problem of supporting elder people.

In 2017 Peng Guochen passed away, there was no more updated news for old age allowance and poverty relief funds. Peng Songbai borrowed money and was in debt to give him an honorable burial.

纪录片《川军老兵彭国臣》内容简介 (200字版)

Brief Introduction of documentary The Sichuan Army Veteran PENG Guochen

本片是蒋能杰导演发起的抗战老兵系列纪录片中的一部。记录曾参加抗战和内战的川军百岁老兵彭国臣晚年（2012-2017年）的生活状况。彭老抗战身份一直不被认同，终身未娶，晚年与侄孙彭松柏一家过活，生活不能自理时，全靠侄孙彭松柏照料。侄孙彭松柏也面临上有老下有小的经济压力。而彭老的高龄补贴、精准扶贫款等惠民政策，当地迟迟未予落实。虽有反映和上访，但始终没有结果。2017年102岁的彭老离开人世，侄孙负债举行体面的葬礼。该片主要探讨日益严峻的中国养老问题。

This is one of Anti-Japanese War veteran documentary series directed by Jiang Nengjie. It shows the later life (2012-2017) of centenarian Sichuan veteran Peng Guochen. He wasn’t admitted as Anti-Japanese War veteran, and wasn’t married in the whole life. He lived with grandnephew Peng Songbai family in later life, when he couldn’t take care of himself on his own, grandnephew took care of him. But Peng Songbai faced economic pressures since he is sandwich generation. Their local government didn’t pay old age allowance and poverty relief funds to them, even if they appealed to the higher authorities for help but got nothing finally. In 2017 Peng Guochen was 102 years old and passed away, Peng Songbai borrowed money and was in debt to give him an honorable burial. This documentary mainly discusses about the increasingly serious problem of supporting elder people.

纪录片《川军老兵彭国臣》主创阐述

Director's Interpretation of The Sichuan Army Veteran PENG Guochen

我是2012年返乡的，那会正在寻找新的纪录片题材。可能出于对历史感兴趣，加上那会民间关爱抗战老兵公益活动搞得轰轰烈烈。湖南是抗战期间重要的兵源地。据统计，抗战期间湖南兵源数额达210万，占全国征募总数的15% 。

直至现在，老家湖南还有不少健在的抗战老兵。本着抢救历史，我们团队陆陆续续拍摄了一百多位抗战老兵，大多是视频版口述史。真正跟拍的抗战老兵纪录片除了2015年的《龙老》，还有就是《川军老兵彭国臣》，还有一部就是正在后期中的《将军的卫士》。

由于我们跟拍二战老兵纪录片时间跨度比较长，跟拍到后面，抗战老兵只是我们纪录片里主人公的一个身份而已。虽然也牵涉到抗战老兵身份认可问题，片子更主要的是探讨中国日益严峻的养老问题。

我们有个传统就是养儿防老，只是改革开放经济发展，乡村空心化，乡村劳动力大多已外出务工，留下的基本是老人和小孩。老人是一个容易被忽视的群体，老人的孤独寂寞比物质上的匮乏更为严重，也更容易被忽视。

纪录片《川军老兵彭国臣》前半部分主要呈现伦理道德，就是晚辈对老人应承担的责任和义务。片子后半部分牵涉到社会的养老体系，比如医疗等社会保障福利，其实百姓跟政府要福利的意识也不强。我出生乡村，2012年返乡的，直到2017年08月份才来城市，主要也是因为我孩子教育问题。我和很多人一样逃离了乡村，主要因为乡村医疗教育太落后。社会资源分配很成问题，包括政策的落实一样存在严重的问题。

在乡村，我见过太多老人老无所依，这值得我们反思的。为什么中华民族发展到现在，国家号称很强大，为什么社会保障这么落后，尊老爱幼本是传统美德，为什么当今太多老人老无所依。

每个人都会老去，包括我也是一样，我希望到了那一天，我能有尊重地活着，有尊严地死去。

I went back to hometown in 2012 and looked for new documentary subject. Because I’m interested in history, and the civil public benefit activities for Anti-Japanese War veteran are very good, I paid attention to these veterans. Hunan is the important source of troops. According to statistics data, during Anti-Japanese War, the number of soldier is up to two million and one hundred thousand, they are 15% of the countrywide soldiery.

Till now there are still many Anti-Japanese War veterans are alive in Hunan. We shot over one hundred veterans for history salvage, most are oral history by video. For documentaries those we following shot, we finish Anti-Japanese War Veteran in 2015, The Sichuan Army Veteran PENG Guochen, also with another one that is in post production.

Because we spent too much time in following shooting Anti-Japanese War veterans, their identity is just one side shown in our documentary. Our documentary mainly discusses about the increasingly serious problem of supporting elder people even if it also shows the problem of identity acceptance.

Raising children to provide against old age is Chinese tradition, however because of the economic development, most of labor force leave the villages and go outside to work, just the old and children stay in villages. For the old, material deprivation is a serious problem, but what’s worse, they are too lonely, also are ignored too easily.

The front part of Sichuan Army Veteran PENG Guochen is to show the younger generation should be responsible for the older generation. The latter part shows more about our social pension system, also with medical security. Many common people don’t know how to get welfare from government clearly. I was born in village and return to hometown in 2012, I went to city in 2017 August, that’s mainly because I need to provide better education for my son, because the education and medical treatment are not developing in village. The social resources distribution is unfair, central policy implementation faces serious problem.

I have seen too many old men have no dependence in villages, we need to rethink about this situation. Why our country is stronger but the social security is not developing? Respect the old and love the young is our traditional virtue, why now so many the old are in such a poor situation.

Everyone gets old including me, I wish when I’m old, I can live and die with dignity.

蒋能杰 Jiang Nengjie

2018-01-03

出品：南京沙叶文化发展有限公司

棉花沙影像工作室

类型: 纪录片

制片国家/地区:中国大陆

语言:湖南湘南当地方言

年份：2018年

片长:86min

主海报

纪录片《川军老兵彭国臣》简介

本片是蒋能杰导演2012年发起的抗战老兵系列纪录片中的一部，另外还有纪录片《龙老》、《战魂》，还有一部是正在后期制作的《将军的卫士》。本片记录曾参加抗战和内战的川军百岁老兵彭国臣晚年（2012-2017年）的生活状况。彭老抗战身份一直不被认同，终身未娶，晚年与侄孙彭松柏一家过活，生活不能自理时，全靠侄孙彭松柏照料。侄孙彭松柏也面临上有老下有小的经济压力。2017年102岁的彭老离开人世，侄孙负债举行体面的葬礼。本片2018年在大陆主要城市有展映，这是首次网络公开，主要探讨中国日益严峻的养老问题。

纪录片《川军老兵彭国臣》预告片

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纪录片《川军老兵彭国臣》百度网盘高清剧照、海报、预告片、正片下载链接：

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纪录片《川军老兵彭国臣》剧照海报

导演简介

独立制片人，纪录片工作者，导演。2009年成立“棉花沙影像工作室”，曾拍摄纪录片「留守儿童三部曲」：《路》、《村小的孩子》、《加一》，其中《村小的孩子》荣获德国法兰克福影展一等奖、第三届凤凰纪录片大奖等；纪录片「抗战老兵三部曲」：《川军老兵彭国臣》、《龙老》、《战魂》。电影《矮婆》曾入围北京国际电影节、上海国际电影节展映单元、华沙国际电影节探索单元等。

棉花沙影像工作室 简介

棉花沙影像工作室是一家以电影，纪录片，公益项目，图片摄影，广告制作，后期剪辑、包装等多元素为发展方向的综合性工作室。 工作室创立于2009年，以工作室创始人蒋能杰的出生地命名，秉承着对历史的虔诚，对未来的瞻望，始终用影像对时代思考和记录。 　　在物质消费、商业甚嚣尘上的现代，棉花沙影像工作室坚信影像的力量，有着自己的文化使命与价值承担，用独特的眼光去打量这个时代。梦想用影像的方式表达自己、传承价值、记录时代，为后世留下时代的记忆。 工作室也乐于寻求有共同价值诉求的合作伙伴，将表达自己、记录时代、与自身价值观有机结合，共同为社会创造价值。因时代而记录，以影像思考时代。力图在对参与时代的记录中传承文化，用影像熔铸理想，以思考洞见未来。

影片主要讲的是川军老兵彭国臣参兵回家乡后，无妻无子，只有侄孙可以依靠，最后百岁离世的故事。片子开头大多是介绍彭国臣生活环境的长空镜头，缺少对话，略微让人看着有点犯困，之后的主要便是侄孙照顾彭国臣的内容。也许是和我爷爷的经历很相似，都是因为病痛缠身，变得像小孩子一样固执、不理解别人。看着影片中的画面，真的就像看着自己爷爷当初的样子。

还有影片中让我印象很深刻的就是，川军老兵彭国臣躺在床上痛苦的样子，画外音却播放着电视机里军队招兵的宣传语。电视上说着加入军队是多么光明的前途，多么好的福利，然而川军老兵彭国臣却过着如此的生活，通过这样的强烈对比，极度讽刺着社会的不公平。抗日的共产党士兵是英雄，一起抗日的国民党士兵就不被国家承认，被国家抛弃。

最后我希望更多人能看到这类的纪录片，了解这个国家和社会，并为此做出力所能及的帮助！

关于抗战老兵题材的片子看的不多，也许这种题材本就不多吧！更何况是国民党老兵呢！ 看了这部纪录片只有一个深深的感触吧！无论你以前为了这个国家做过什么，付出过什么，不要太指望他们会在你凄凉多病的晚年记得你。即使是为了应付形式匆匆忙忙的来看你一眼也透漏着虚情和假意，特别是在农村。 片子本身流水账似的记录方式虽有些令人乏味但也真实客观冷静的记录老人晚年的生活。

在这个人心浮躁的环境下，这种关注老兵的纪录片尤其难能可贵！

作为一部下到乡村跟拍抗战老兵晚年生活状态的纪录片而言，其拍摄所遇到的困难是可以想见的，而其所蕴含的意义也是非常重大的，作为抗战结束多年后在和平年代的后置位情况阐述，其直观的开示作用和对特殊历史的间接提点远比空乏的形式宣传来的有力。当然这股潜在的力度是直接建立在客观公正上的。 诚如蒋导映后所言的诸多拍摄难处，是远比脱离和主创交流自行观影所不易察觉的存在，诸如特定环境下的跟拍需要隐蔽身份等，以及如果拍摄对象生活中遭遇困境，拍摄人员该如何应对等问题，很大一部分程度上若拿捏不当即可能影响整体品质。这也是影片较多镜头属于平摄角度镜头的原因。而影片除了在客观阐述老兵生活和就医方面的困难问题外还兼带了扶贫落实存在出入的问题，能够在历史和社会两方面中做到承前启后是难能可贵的，仅剪辑上还能再协调下各块内容的占比偏带。 非常有幸能够参与这样意义重大的一部公益性质的纪录片观影活动，希望蒋导以后还能在纪录片领域有更多建树，功在不舍，贵在坚持。