迷失Z城

剧情片美国2016

主演:查理·汉纳姆,罗伯特·帕丁森,西耶娜·米勒,汤姆·赫兰德,爱德华·阿什利,安古斯·麦克菲登,伊恩·麦克迪阿梅德,克莱夫·弗朗西斯,马修·桑德兰,亚历山大·约瓦诺维奇,叶莲娜·索洛维,鲍比·斯莫德里奇

导演:詹姆斯·格雷

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更新时间:2024-05-11 20:36

详细剧情

  英国探险家珀西·福斯特(查理·汉纳姆 Charlie Hunnam 饰)深入神秘的南美洲亚马逊丛林探险,竟发现未知的文明生活迹象,他回到英国公开这个意义深远的重大发现,却被当成笑话嘲弄,没有人愿意相信他的话。在爱妻尼娜(西耶娜·米勒 Sienna Miller 饰)无怨无悔的支持下,福斯特决心带领儿子杰克(汤姆·霍兰德 Tom Holland 饰)重返亚马逊丛林,寻找古文明存在的证据,一行人却离奇消失,从此再无任何音讯,成为史上最神秘又悬疑的失踪事件。

 长篇影评

 1 ) 探险家的危险旅程

探险家Percy Fawcett生于1867年,深入亚马逊河谷5次直至最后一次消失在密林之中。影片改编自他的故事。
        佛斯特的父亲生于印度殖民地,哥哥是登山家与冒险小说家。佛斯特自己一心想从事更加冒险有趣的职业,所以佛斯特几乎不假思索地就接受了去南美画地图这样的使命,也开始了他的冒险人生。
       看到一张冒险家本人1911年的照片,那时候他已经成功地完成了几次亚马逊河域的旅程,照片上的他紧蹙眉头,神情严肃,并没有那种轻松喜悦的神色。
       影片中的福斯特梳着一丝不苟的油头,绅士气十足。他在途中读妻子写下的歌颂英雄主义的诗歌。佛斯特第一次探险归来的时候得到了热烈的欢迎。他与怀抱幼子的妻子在人群中拥吻。英格兰歌舞升平,生活惬意,波澜不惊,与密林丛生,四处是未知的野兽以及印第安部落的亚马逊形成了鲜明的对比。可是佛斯特坚信自己发现了失落的文明,执意要再次踏上旅途。妻子看着佛斯特在高堂上神色坚定地号召人们去寻找Z文明,又骄傲又担心。终于他和妻子爆发了争吵。可是争吵后,他还是和同伴踏上了九死一生的旅途。不过这次他们铩羽而归,并没能到达Z。
     时光到了一战,年近50的佛斯特自愿到前线服役。在战场,一个女巫对佛斯特说,你所发现的,远比你想象的更加伟大,你要再去寻找他们,这就是你的命运。佛斯特与曾经一同探险的伙伴在同一军营服役,在一场战斗中,几乎命丧德军毒气战。在病床上,佛斯特说自己梦到了亚马逊的从林,可是医生说介于身体状况佛斯特不可能再踏上那样的征途了。佛斯特的长子Jake看着在病榻上痛哭流涕的父亲,却默默与这位缺席家庭生活多年的父亲和解了。
     最后,Jake鼓励父亲再次踏上征途,也许是战争与缺乏父爱的童年让Jake对人生的意义充满质疑,Jake坚持要与父亲同去。他们一路上都受到高度关注,在火车站为他们喝彩的人不计其数。可是这次终究是一次致命之旅,父子俩在丛林里走过之前的那些路,发现曾经人烟兴盛的城市已荒废,终将父子俩也成了迷失的一部分,都没能再回来。
     维基百科上提供了福斯特父子结局的很多说法,但没有一个说法能够被证实。有一个说法是佛斯特丧失了记忆,在一个食人部落里生活并成为了首领。又有很多其他的说法表示父子已被杀害。
     影片并没有英雄主义式的煽情。全片色彩古典,更像是流畅的叙事。里面间或的南美片段,也让人想起马尔克斯的小说。
     不管是探险,还是一战,佛斯特度过了那样危险重重的一生。在那些濒死时刻,他想起的都是恍如隔世般的英格兰,可这些却是他放弃的生活。他曾经幸运地找到过Z的一些遗迹,却终其一生再没能踏上Z。
      但是你能说,佛斯特的一生都是无用功吗?用佛斯特自己的话说,这就是他的命运,他们完成了别人无法想象的旅程。

      看完电影出来,里昂正是暮色降至的时刻,看着平静美好的街道与河流,想想有人能够放弃这样的生活,坚持去完成那件十分危险的使命,又觉得其实世界是属于有勇气的人的,我们今天对世界的很多认知,都是由这些勇敢的古典旅行者缔造出来的。

 2 ) 迷失雨林

“隐藏之物,去找寻吧。去那山峦之后吧。

山峦之后有失落之处;失落却等你而来。前去吧!”——吉卜林《探险者》

"Something hidden. Go and find it. Go and look behind the Ranges -- "Something lost behind the Ranges. Lost and wating for you. Go!"

《迷失Z城》由真实事件改编,讲述英国探险家佛西特坚持寻找传说中的Z城的故事。早在2009年,皮特的Plan B 就买下了该纪实著作的版权,主演人选也从皮特到BC(因妻子怀孕取消)到查理·汉纳姆,电影也在2017年才与观众见面(之前在电影节露面)。再考虑到剧组要去雨林中取景,电影的制作过程就如探险经历般艰难啊。

上映前,每次电影节放映都会引发影评人和观众的热烈讨论,从亚马逊投放的预告片来看,他们很有信心。我想看这部电影,大概是对探险题材感兴趣吧。也随着电影认识一位作品不多,但是很用心的导演:詹姆斯·格雷。结合他在《电影评论》还有其他杂志上的采访,他还是挺狂的个性导演,批评戛纳老套的审美、为奥逊·威尔斯鸣不平。

《迷》的故事让我想起了《印第安纳琼斯》(佛西特也是琼斯博士的人物原型),还有像《所罗门王的宝藏》、《失落的世界》等维多利亚-爱德华时代流行的冒险故事。不过并非如此。记者表示,“他不是去探索这个充满了美好的世界,他仅仅是出于个人兴趣,最终也是探险改变了他。”格雷则评价道:“佛西特不是一个英雄,他并不是去拯救任何人的。”佛西特曾受邀为巴西和玻利维亚划定分界线,偶然发现一些陶器碎片,根据印第安向导的话,得知一个可能存在的古代文明;妻子查证相关资料、发现一些线索后,他决定带队去寻找这个文明,用实际行动反击地理学会的老顽固。这个文明不是传说中的黄金城,而是Z城。他以追逐白鲸一般的执念冒险。无论在舒适的乡下小宅中,还是在索姆河的枪炮和毒气中,还是在“文明人”的“学术殿堂”中,魂牵梦萦的还是神秘的Z城。就连被毒气击倒,暂时失明,梦中浮现的还是雨林。不禁想到一句话,“昨夜,我梦见自己又回到了亚马逊雨林。”就如同战场上的神婆所言,“这是你的使命。”在镜头下,仿佛能感受到亚马逊的潮湿的绿色,如徐徐展开的自然画卷,探险家是脆弱渺小的闯入者,在绿色的荒漠中寻找文明的踪迹,在大自然和古代文明前只能保持沉默。沉默的土著不再是臣服于白人闯入者前的蒙昧的人群,不再奉他们为神灵,而是视他们为过客;白人面对敌意的目光和弓箭,不再选择贸然回击,而是示意和平,对他们表现敬畏。就像之前的印第安向导所说,你们白人将会困在雨林中,而他是自由的。格雷评价到:“展现土著人完全不同的生活方式。他们不需要一个白人男性的帮助,他们可以生活得很好。如果他们真的需要帮助,便是我们可以帮他们一下。”另一形象是佛西特夫人。她是位坚强的女性,她的丈夫总是在海外冒险,几乎不照料她和孩子,只是在回程充当一下英雄;她和孩子们是佛西特执念的受害者,又因为生理的弱势无法同他一同冒险,因此她无法左右着悲剧性的命运。她选择接受这一命运,以至同意长子与丈夫一同实现这一执念,并在两人失踪后仍保有希望。米勒小姐的表演很是出色(相比较而言,更显得汉纳姆拿腔作调)。长子选择与父亲和解,知道不可能劝阻固执的父亲,宁愿伴他同行,陪伴父亲实现他的梦想。副手(帕丁森留起大胡子,真认不出是当年那个清秀少年)曾经和他并肩作战,一同在雨林中、在战场上冒险;但岁月和生活磨平了他骨子中的冒险精神,他宁愿陪伴家人,佛西特也表示理解,并愿友谊长存,因为有的人属于冒险的荒野、丛林,有的人流浪许久之后,只希望有家庭的慰藉。格雷认为,这个故事“最关键的是他内心的斗争,驱使他去寻找‘人’的定义,去确定文化的等级划分、种族主义或是阶级、性别的粗暴性都不能定义‘人’。”

佛西特尽管发现所谓“吉光片羽”般的碎片,但终究未能找到迷失的Z城。父子二人其实在雨林中失踪了,没人知道真正发生了什么。格雷想象了一个优美的结尾:父子二人在恍惚中仿佛看到了某种文明的存在,他们回归了自然和古代文明。与儿子同行的佛西特不再狂热、偏执,而是趋向平和;也许他和儿子找到了探险的真正原因。“最重要的便是探索研究的过程,这个过程可以带你找到你在灵魂深处萌生的问题的答案。”对虚构的电影,格雷真正享受的是创作和拍摄本身,大概是一个道理吧。另一方面,佛西特夫人仍不放弃希望,仍相信一些传言,如丈夫和儿子在巴西融入了印第安人的生活;走进学会的植物园时,仿佛也走进雨林,走进光明。尽管考古界一度认为佛西特是疯子,但近年的考古发现发现了Z城的可能遗迹。也许他不曾错过,也许他真的在此生活过。

这么一个传统的冒险故事,以传统的35mm拍摄,讲述了一个优美的“古典主义”电影,带领观众重回神秘的雨林,见证一个人偏执到平和的冒险,和他一起以敬畏之心,在自然中寻找文明和人的定义,甚是美好。

“啊,人总要追求力所不及之物——不然天堂为何存在?”罗伯特-勃朗宁,《 安德烈·德尔·萨托 》

"Ah, but a man's reach should exceed his grasp -- or what's a heaven for?"

2017.6.3 补充

大陆没想到公映了,可惜是个大幅的删减版,竟生生砍去近40分钟(虽然《云图》更惨)。怎么说,看还是能看的,但是对崇尚古典主义、独立电影人格雷来说很不公平(记得昆丁因为被砍几分钟就大发雷霆)。剧情就像剧情梗概(虽然很多剧情也不记得了,何况北美院线不加字幕),原先舒缓的节奏被加快了很多,虽然对大体剧情没影响,但是细节不能忽略不计啊! (我记得亚马逊影业也投资了,结果片头根本没他们事)不过还是能感受到如诗如画的摄影以及优美的配乐。

 3 ) 都在说这个电影和传记和实际出入很大

The Lost City of Z is a very long way from a true story — and I should know
A new Hollywood film hypes Percy Fawcett as a great explorer. In fact, he was a racist incompetent who achieved very little

The new film The Lost City of Z is being advertised as based on the true story of one of Britain’s greatest explorers. It is about Lt-Col Percy Fawcett. Greatest explorer? Fawcett? He was a surveyor who never discovered anything, a nutter, a racist, and so incompetent that the only expedition he organised was a five-week disaster. Calling him one of our greatest explorers is like calling Eddie the Eagle one of our greatest sportsmen. It is an insult to the huge roster of true explorers. Had the advertisement been about a soap powder, it would fall foul of the Trade Descriptions Act.

Percy Fawcett joined the army immediately after school, with a commission in the artillery in 1886. The next 20 years involved garrison duty in Ceylon and postings in Malta and England. The only significant events were getting married and becoming a devotee (like many others) of the charlatan psychic Madame Blavatsky. Fawcett’s game-changer came in 1906, when he was 40. The army let him take the Royal Geographical Society’s course on frontier surveying. Far away in South America, Bolivia had just sold its rubber-rich province of Acre to Brazil, so it needed its new north-western boundary mapped. The Bolivians approached the RGS for a mature surveyor to do this. The society’s secretary asked the newly qualified Fawcett whether he wanted to go; he accepted, reported for duty in La Paz and was at work on the new Amazonian frontier by the end of the year. This survey was the best thing Fawcett did. But he described it as boring, because the new frontier was all along rivers. This was the height of the great Amazon rubber boom, so he and his team cruised from one comfortable rubber barraca to the next, taking their regular measurements.

Fawcett’s only publications were a series of papers in the Geographical Journal about his mapping work. But he kept a journal, and in 1953 his son Brian edited this and other papers into a book called Exploration Fawcett. He emerges from it as a typical Edwardian colonial officer — friendly with South Americans but looking down on them, appalled by the cruelty at some rubber stations, full of gossip about life on this remote but boom-rich backwater, and uninterested in nature apart from banalities about dangerous snakes and irritating insects.

In 1908, the Bolivians asked Fawcett to survey another of their frontiers with Brazil: a small river called Verde, far away at the north-eastern corner of the large landlocked country. The preparations were appalling. Fawcett took minimal supplies, since he was accustomed to being fed by rubber stations. This was the end of the dry season with the river at its lowest. So they soon had to abandon their boat and continue on foot. After only a week, all food was exhausted and they were really starving. Fawcett casually remarked that five out of his six peons died from the effects of this five-week disaster. This was the only expedition he led into unexplored territory.

The Bolivians invited Fawcett back in 1910, this time to map part of their boundary with Peru. It involved paddling up a frontier river called Heath and two meetings with indigenous peoples on the banks. The first group fired arrows and guns over their heads. But Fawcett waded ashore with presents and shouting a few words of ‘Chuncho’ (the Peruvian word for all forest peoples) that he had memorised but did not understand. That was the only time that Fawcett attempted any language other than Spanish. Further up the Heath river, Fawcett met a tribe he called Ecocha (now Ese Eja) whom he really liked. They were ‘embarrassingly hospitable’ with their food, so Fawcett spent a few days with them and recorded something of their ethnography. He returned for a second visit in 1911.

After a final survey for the Bolivian government in 1913, of the upper Beni river in the Andes, Fawcett went sightseeing in central Bolivia. He and two companions were paddled down the big Guaporé river. They stopped at Mequens on its Brazilian bank to visit the Swedish anthropologist Baron Erland Nordenskiöld and his attractive wife, who provided guides to take them on a walk inland to visit a people they called Maxubi (now Makurap). The Maxubi were friendly and hospitable, but continuing on a forest trail Fawcett met another tribe (probably Sakurabiat) to whom he took a violent dislike. When one aimed a drawn bow at him, Fawcett shot the man with a Mauser revolver — absolutely forbidden by Brazil’s Indian Service. He described them as he imagined Neanderthals or Piltdown Man to have looked: ‘large hairy men, with exceptionally long arms, and foreheads sloping back from pronounced eye ridges… villainous savages, hideous ape men with pig-like eyes.’ No Amazonian Indian has body hair or looks remotely like this — I know, because I have spent time with over 40 different peoples. These two groups, and the two on the Heath, were the only tribal people seen by Fawcett. He liked two of them. So it was strange that he wrote racist gibberish that ‘there are three kinds of Indians. The first are docile and miserable people, easily tamed; the second, dangerous, repulsive cannibals very rarely seen; the third, a robust and fair people, who must have a civilised origin.’

When Fawcett was in the cattle country of central Bolivia in September 1914, news came of the outbreak of war. So he hurried home and by January 1915 was back in the artillery. In his late forties, he was too old for frontline service; but he fought a good war, ending as Lieutenant-Colonel.

In one of his pre-war lectures to the RGS, Fawcett had spoken of possible ancient ruins in the Amazon forests. He was now told about a scrap of paper dated 1743 in which bandeirantes imagined that they had seen a deserted city in the jungles. (The bandeirantes were slavers who scoured the interior of Brazil for Indians to capture. Although most of these thugs were illiterate, others did write reports about their travels — none of which said a word about seeing ruins.) Fawcett gave this imaginary ‘lost city’ the codename Z, and finding it became an obsession.

The easiest forest tribes to visit in Brazil were on the headwaters of one of the Amazon’s southern tributaries, the Xingu. A German anthropologist had contacted a dozen amiable peoples there in 1884; and since then they had been visited by seven groups of anthropologists or Indian Service officials. All had walked in by the same trail. So in 1920 Fawcett tried to follow this route — even though it was nowhere near where the chimera city might have been. His plans went wrong, so he got no further than a ranch halfway along the trail. In 1921 he searched for the mythical city down on the Atlantic coast, by train inland from Salvador da Bahia; but, hardly surprisingly, the miners there knew nothing.

In 1925, by now penniless but desperate, Fawcett tried again to reach the upper Xingu tribes. He now took two inexperienced ex-public schoolboys, his son Jack and Jack’s friend Raleigh Rimmel. The old surveyor made two suicidal pronouncements. One was that the trio should travel light, with nothing more than small packs. Everyone in Amazonia knew that you could not cut trails and keep your team fed with fewer than eight men. (I can confirm this, having done months of such cutting and carrying.) But Fawcett sent their pack animals and porters back, and continued with only his two novices. His other dictum was that Indians would look after them. This was equally dangerous. The Xingu tribes pride themselves on generosity; but they expect visitors to reciprocate. All expeditions in the past four decades had brought plenty of presents such as machetes, knives and beads. Fawcett had none. He committed other blunders that antagonised their hosts. So it was only a matter of days before they were all dead.

Twenty years later, Chief Comatsi of the Kalapalo tribe gave a very detailed account of Fawcett’s visit, reminding his assembled people of exactly how they had killed the unwelcome strangers. But the German anthropologist Max Schmidt, who was there in 1926, thought that they had plunged into the forests, got lost and starved to death; this was also the view of a missionary couple called Young who were on another Xingu headwater. The Brazilian Indian Service regretted that Fawcett, who was obsessively secretive, had not asked for their help in dealing with the Indians. They felt he was killed because of the harshness and lack of tact that all recognised in him.

Such was the sad tale of this incompetent, whose only skill was in surveying. But the disappearance of an English colonel while searching for a mythical ancient city in tropical rain forests was a media sensation. Two expeditions went to try to learn more. There was revived interest in the 1950s with the publication of Exploration Fawcett and the Kalapalo chief’s account of how they killed the Englishmen. Then it was forgotten until 2009 when David Grann, a talented writer, published The Lost City of Z. Unfortunately, Grann hyped the story out of all proportion and wrongly depicted Fawcett as a great explorer.

As he cheerfully admitted, Grann had no experience of rainforests. But he let his imagination run riot, with pages about ferocious piranhas, huge anacondas, electric eels (actually a fish that has never killed a man), frogs ‘with enough toxins to kill 100 people’, ‘predator’ pig-like peccary, ‘sauba ants that could reduce the men’s clothes to threads in a single night, ticks that attached like leeches (another scourge) and the red hairy chiggers that consumed human tissue. The cyanide-squirting millipedes. The parasitic worms that caused blindness…’ and so on. Everyone who know tropical forests, including me, knows that almost every word of this is nonsense.

Fawcett himself gave a simple account of his four surveying journeys for the Bolivian government. But for Grann, ‘in expedition after expedition… he explored thousands of square miles of the Amazon and helped redraw the map of South America’. Fawcett admitted that he was ‘a greenhorn in the jungle’ and knew nothing about nature. But Grann wrote that he moved ‘inch by inch through the jungle, tracing rivers and mountains, cataloguing exotic species… [until] he had explored as much of the region as anyone’.

For Grann, Fawcett was competing against other explorers ‘who were racing into the interior of South America’. The only study that Fawcett made after leaving school in 1886 was his RGS surveying course. He never mentioned any library research. But for Grann he was ‘almost unique’ in viewing 16th- and 17th-century chronicles ignored by other scholars; he re–evaluated El Dorado chronicles and consulted ‘archival records’ and ‘tribesmen’ in ‘piecing together his theory of Z’. Not a word of this was true, either.

Grann wrote that, as an author, he would have been lost without my three-volume, 2,100-page history of Brazilian Indians and five centuries of exploration. He quotes quite often from my books. So he had no excuse for describing Fawcett’s brief visits to three indigenous villages as the ‘discovery of so many previously unknown Indians’, from whom ‘he learned to speak myriad indigenous languages’, and adopted ‘herbal medicines and native methods of hunting [so that he] was better able to survive off the land’. Equally absurd was his rubbish about cannibalistic tribes, blow guns with poisoned darts, or Kuikuro menacing him with ‘gleaming spears flickering’ from the undergrowth (they never used spears, or had metal even, before their contact 130 years ago).

When the colonel vanished, Grann writes that ‘scores’ of explorers tried to find him, and that ‘one recent estimate put the death toll from these expeditions as high as 100.’ Actually, only one search expedition reached the Xingu, led by George Dyott in 1928. (It found that the three Englishmen had been killed by Indians.) The only other expedition was in 1932, but it got only as far as the Araguaia river far to the east. The death toll from these two attempts was zero. In 1935 a ridiculous actor called Albert de Winton went by himself to the Xingu and was killed by Indians who wanted his gun. So if we count him, the death toll is one — well short of Grann’s 100.

These and a great many other passages are artistic licence and hype of an absurd order. Hollywood believed everything Grann wrote, and then hyped it up more. People wishing to learn about the maverick colonel should consult his own fairly modest memoir — not the recent fantasy book and film about him. But I could recommend scores of writings by real explorers.

John Hemming is a Canadian explorer; the three volumes of his history of Brazilian Indians are Red Gold (1978), Amazon Frontier (1985) and Die If You Must (2004)

 4 ) 删减扼杀不了我们的探险梦

与DC重磅新作《神奇女侠》正面碰撞绝对需要勇气,稍稍有点票房野心的国产片都去挤国产保护月了,但进口片《迷失Z城》并没有这样的同等待遇,只好硬着头皮上吧。但上画前就传出遭广电总局删减大半的重大利空,一些流媒体对删减的槽点再大肆宣传,影迷们自然不指望它能长线放映了,只好抓紧有限的几天时间一睹为快。

影片讲述了一个英国的探险家福斯特寻找z城的故事,主人公有真实的故事原型。影片以丛林探险为噱头,宣称这是近几年最过瘾的丛林冒险题材,可惜还是谈不了广电总局的剪刀。血腥镜头被剪的一点不剩,只剩下缓慢的古典配乐和单线条的叙事让观影的你昏昏欲睡。我们抛开那些噱头,回归故事本身,其实探险梦比起那些恶劣的气候,食人鱼,野人外更让你印象深刻。

男主人公福斯特开始走上探险之路是为了重振家族的声誉和军队荣誉。身为少校的他为了勋章,处心积虑,抓紧一切机会表现,连射鹿献礼都不惜冒险。可惜在和平年代并没有给这位出身不好的军人太多机会,最后倒是皇家地理协会给了他一根稻草。只要探险有发现,就能获得勋章。

探险之路是艰辛的,遥远未知的路程,时刻突发的危险,同伴的受伤死亡,更可怕的是绝望的情绪笼罩在所有人的心上。福斯特坚持了下来,克服了种种,终于发现了陶瓷这一文明的标志,凯旋回国。

如果说开始为了勋章,再次前往就是为了向全世界证明自己的发现,野心进一步扩大。在权贵的财力支持下,福斯特一行再次踏上寻找z城之旅。这一次比恶劣气候更危险的是掉链子的同伴。你可以看出猪队友是多么可怕,骑了他们的马,毁了他们的食物,回国后还反咬了他们一口。权贵的伪善可见一斑。寻找z城再次不得不中止,无功而返。

第三次踏上寻城之旅则升华到灵魂深处。一战中碰到的灵媒告诉他,只有找到那个地方,你的灵魂才能安息。这是你的宿命。虽然战争损伤了眼睛,但儿子的踊跃报名,家人的精神支持,英国皇家地理协会的大力财力支持,旅程再次开始。虽然探险父子组合在丛林失踪,但在他们在探险界已是传奇,激励更多的人去探知未知的世界。

其实 《金刚》也是探险题材,但《金刚》更多的是破坏和反战。在这部电影中,主人公给予土著文明极大的尊重。不再是白人高高在上的尊容,而是平等与他们对话,绝不破坏和掠夺。再加上恒心与毅力,坚持自己的探险信仰,福斯特才会从众多探险家中脱颖而出,为我们所铭记。

梦想需要信仰般的坚持,什么都无法阻挡。体制,现实环境,审查都不重要,只要心中有梦,那团火就不会灭。你也许看不到,但你的后代会继承你的梦想继续前行,无往无悔。

 5 ) 迷失Z城

电影生动而深情地诠释了什么是“魂牵梦绕”。本来过度浪漫化这种直男历险、白人拓荒的电影不算是好事甚至是雷区,但格雷很完美地闪避了这些,用自己娓娓道来的节奏把一个神秘而传奇的故事完全复原,我身临其境无法自拔。而且本身有些遗憾的收尾,被最后一个镜头全部挽回,看完真是恍如隔世般感动。

第一次看James Gray,没想到居然是一部古典韵味浓厚的浪漫主义史诗,剪辑摄影都太太太优秀,每场戏都看得如醉如痴,最后五分钟更是格外震慑人心,结尾一镜回味无穷。

 6 ) FIFF6丨DAY4《迷失Z城》亚马逊的丛林永远是探险者的天堂

第6届#法罗岛电影节#无人知晓单元第4个放映日为大家带来《迷失Z城》,下面为大家带来前线理想者优雅迷人的安息评价了!

果树:

摄影很棒,结尾的处理很棒,喜欢片子中对于世界也对于自己的探索的主题。

曲有误:

优雅而又迷人,理想主义者的归宿大抵如斯,那是他们安息的地方。

Pincent:

一部真正的探险片,娓娓道来,制作精良,画面摄影剪辑非常好,有历史厚度,有人性迷失,有不同文明对立,有执念和冒险精神。Z城有种魂牵梦绕、萦绕不散的感觉,探险者本身就多少带点感性和冲动的成分,探索未知也是通向自己,最后一个镜头非常棒。

汤达人:

觉得应该展示很多丛林内容的,探险的部分云淡风轻得过了,不过整体看来,比如战争的部分,家庭的部分,这部传记似乎类似于第一人,将所有的内容聚焦在个人,家庭上,而且影片的风格气质也很迷人。

Sylvia.Y:

亚马逊的丛林永远是探险者的天堂,人们对这里趋之若鹜又在这里消失。如果一直在尘世中追寻Z城,那大概永远都找不到这个未知的文明。黄金之城的意义不在其真实存在与否,而是作为这些殉道者们心中探险的原动力。

法罗岛岛主:

《迷失Z城》和《阿基尔,上帝的愤怒》就是太极阴阳图的两极,一个坚信亚马逊雨林中孕育着一个比世界上任何已知文明都要古老的史前文明——黄金国,一个持有观点——黄金国不过是被奴役的野蛮人为了哄骗一批又一批欧美探险家送死的美丽谎言,道生一,一生二,二生三,三生万物,两种立场看似水火不容,实则殊途同归,无论富饶的黄金国是否存在,本质都不过是贪婪残忍的野心家打着探寻文明的幌子,干着剥削掠夺原始人财富的勾当,和欧美殖民史如出一辙,最终的结局也不外乎前赴后继的惨死在寻梦路上。

如果你的文明是叫我们卑躬屈膝,那我就让你们见识见识野蛮的骄傲,阿基尔在将沉的木筏上被一群猴子围攻,珀西和儿子被食人族当成猪狗般抬走,昭示文明最终被野蛮吞噬。

南美古文明电影的风格和流程大致如此,也是让我有些厌烦疲倦,衬托之下阿基尔是真神作。

我略知她一二:

詹姆斯·格雷为我们构建了伦敦和亚马逊两个迥然不同但又各自伟大的世界。一个古典而浪漫,充斥着传统而浓厚的家族情感,这种以血缘关系为纽带的羞耻与荣耀伴随着很多人的一生。一个原始而野性,挥发着狂放而血腥的丛林气息,这种以杀戮演绎为生存的痛苦与冷漠见证着亚马逊的繁荣。当夜幕降临,火把点燃在星空下,这种原始的祭奠变成了最伟大的牺牲,成全了他的不安与信仰。

安安安and:

几度壮心而去,又几度去而复返,在剥离了文明的意义与历史的色彩之后,冒险有时候就只是流窜在心底那一阵最原始的冲动,我们总幻想它会演变成一团慷慨激昂并且熊熊燃烧的火焰,一往而无前。可有些故事里,它只是一场悲壮支离却又经久不散的风声,一去而不返。但那风里夹杂的哀嚎,只要一直地残喘下去,终究会唱成一曲绝望但不衰的史诗。

直到最后,所有的热血激昂都永远留在了曾经的演讲台上,曾经的同伴一一步入了安定平稳的梦乡,他只能带上儿子去完成他的满腔悲壮。可当他们终于抵达群星闪耀的地方,命运已经沦为昏沉待宰的羔羊。在他知天命的那一刻,人生终于达成了不再迷失的圆满。

#FIFF6#DAY4的无人知晓单元场刊评分稍后会在广播中为大家释出,请大家拭目以待了。

 短评

古典沉稳,如幻如雾,他内心拥有河流森林湖泊,愿付诸终生寻觅未知,见他人不曾见过的风景,经历他人不曾拥有的人生,名利如浮云,飞鲲驰万里。影像从来只是冰山一角,世界从来只属于勇敢的人,而我不过坐享其成罢了。

9分钟前
  • 秋天的黛西
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听闻院线删了30分钟吓得没去看,看得蓝光,主题很深刻,理想乌托邦与现实之间的对弈,心怀梦想的人,永远也逃不出文明的桎梏,反而被自然之力反噬,迷失在文明与自然之中。实拍场景和摄影点赞,整体还是有些太长了

11分钟前
  • 乌鸦火堂
  • 还行

不是很能理解帝国时期对外扩张的野心和夙愿。结尾那一刻,被食人族抬走的父子给人一种仪式感的动容,其他部分很无聊。

13分钟前
  • 踢迩达
  • 还行

喜欢两个地方。一个是用笔记本挡箭,二是男主带儿子走后镜头从他老婆的卧室里急速后退。总体就是流水账,太长。Sienna Miller的角色和《美国狙击手》里完全一样,是故意的吗?

16分钟前
  • 猫猫
  • 还行

不是先进文明对落后文明的俯视,而是工业文明对古老文明的反哺。詹姆士·格雷用充满历史厚度的古典拍法讲述南美开荒的鲜花与骸骨。让人魂牵梦萦的Z城啊,你也是我的南美情结所在...

21分钟前
  • 同志亦凡人中文站
  • 推荐

电影生动而深情地诠释了什么是“魂牵梦绕”。本来过度浪漫化这种直男历险、白人拓荒的电影不算是好事甚至是雷区,但格雷很完美地闪避了这些,用自己娓娓道来的节奏把一个神秘而传奇的故事完全复原,我身临其境无法自拔。而且本身有些遗憾的收尾,被最后一个镜头全部挽回,看完真是恍如隔世般感动

22分钟前
  • 米粒
  • 力荐

今天觀影非常愉快:片尾亮燈放字幕時,工作人員進來問還有人嗎?我以為又要被提醒沒彩蛋啊什麼的,結果工作人員竟然說,衹是近來確認一下,並沒有不讓看字幕的意思,於是非常安穩地聽完了片尾曲。享受!【日後補五星

27分钟前
  • 介意
  • 还行

拍出了Z城对珀西致命的吸引力,却没拍出Z城对观众致命的吸引力。

32分钟前
  • 冰山的阴影
  • 还行

散轶的探险笔记,扑火的飞蛾;我们对世界,对彼此,对自己的探索,已知与未知的比例,大概永远都是恒定的。

35分钟前
  • 战将波舰金
  • 推荐

141分钟版。人物传记,冒险呢?没有,甚至在这方面的描写都很差,很简单的(仅受到一次攻击和食物危机)就到了没有(白)人发现的地方并发现文明,很简单的从没有人能回来的地方回来。

36分钟前
  • 无姓之人
  • 较差

直到片尾看到producer是布拉德皮特之后才恍然大悟为什么电影里的男主角们一个个都长的像布拉德皮特ok

40分钟前
  • 黄柑柑
  • 还行

在所有逆流而上的丛林公路电影里,格雷无疑贡献了最古典肌理的版本;但视听乃至于剧作上古典优雅得越不可挑剔,丛林的野性和主人公的痴迷却也就越不可体味。

41分钟前
  • Peter Cat
  • 还行

事实被改编成非虚构文字作品,这其中就不勉存在对真实的删改,再到被改编成电影,又是更多的删改,现在又在这样的电影基础上剪掉三十几分钟那又能怎样?如果让大卫·柯南伯格拍多好,拍成像危险方法那样。关于这部电影我比较喜欢的一点是,许多场景非常适合配上德彪西印象主义音乐。

46分钟前
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  • 还行

难怪公映版本要删减…

48分钟前
  • 辣辣的皮特
  • 较差

6/10,强烈谴责国内引进方为了增加排片赚钱蓄意删减的行为,看的如坐针毡,前面看的非常不适应,因为剧情推动的太快了,快到让我莫名其妙,以至于看完对人物动机和形象都没啥印象,所以如果对故事感兴趣的我还是不建议去看这个删减版,因为看的会很痛苦、很恶心、很想暴打提议删减的那个人。

49分钟前
  • 二月鸟语
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各方面都很主流,格雷最平庸的一部

53分钟前
  • LOOK
  • 较差

美轮美奂, 有几场戏好像幻境, 从战场穿越到丛林, 像梦一样开枝散叶, 有点《蛇之拥抱》的错觉。老派的故事和画面真是让沉迷古典的人欲罢不能。有人会说平淡,可要拍成《夺宝奇兵》我就中途退场了。选角棒,帕丁森居然有种迷之帅气(差点认不出),而湖南一定是今年的最劳模最帅男主!

54分钟前
  • LORENZO 洛伦佐
  • 力荐

I had a farm in Afri...对不起,进错片场。在亚马逊带着一箱吃的不敢往前多走一天,贝爷哭了。这是一个重在精神的冒险故事。想看雨林和土著文化的可以退散。其中参杂的男女和种族平等讨论,意愿是好,但手法生硬论点过于超时代,太假。影像古典路数,但是素材取舍不当,不显稳重精巧倒是拖沓了

58分钟前
  • 小斑
  • 还行

直男和直男去大自然 直男和胖子去大自然 直男去打仗 直男和儿子去大自然 大自然真好啊儿子我们别走啦…… 冗长散漫的直男历险记 orz 我和友邻看的是同部片吗 出色的剪辑在哪里呀?迷失在Z城里厚?

1小时前
  • 小捌
  • 较差

第一次看James Gray,没想到居然是一部古典韵味浓厚的浪漫主义史诗,剪辑摄影都太太太优秀,每场戏都看得如醉如痴,最后五分钟更是格外震慑人心,结尾一镜回味无穷

1小时前
  • Steamed Punk
  • 力荐

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